É uma nave espacial, é uma alforreca, é um navio cheio
de fantasmas! Não, é o cinecoiso, um clube de cinema.

21.10.11

Você viu a pele do meu lábio?

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"Hear it and weep"

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Grandes notícias: O Haircut finalmente tem um programa impresso com quase toda a informação sobre este ciclo. Este muito útil objecto (disponível em todos os locais interessantes da cidade e arredores) permitiu-nos constatar que nos precipitámos ao anunciar o "Coup de Tourchon". Phillipe Noiret, Isabelle Huppert e Phillipe Sarde chegam para a semana porque amanhã vamos continuar no noir puro e duro.



O Cinecoiso
em parceria com o Espaço do Tempo


APRESENTAM

Ascenseur pour l'échafaud
(Elevador para o cadafalso)

Um filme de Louis Malle,
 com, Jeanne Moreau, Maurice Ronet,
Georges Poujouly, Lino Ventura

música, Miles Davis
fotografia, Henri Decaë

88 min, P/B, 1959
m/12

 [21/10]

13.10.11

NEXT: Bad cop, good cop and the sparkling inocence



O filme que OW realizou para voltar aos USA.
Truffaut e Godard adoraram, os produtores não gostaram.
O último filme que OW realizou nos USA.

"A sede do mal"

"It started with rehearsals. We rehearsed two weeks prior to shooting, which was unusual. We rewrote most of the dialogue, all of us, which was also unusual, and Mr. Welles always wanted our input. It was a collective effort, and there was such a surge of participation, of creativity, of energy. You could feel the pulse growing as we rehearsed. You felt you were inventing something as you went along. Mr. Welles wanted to seize every moment. He didn't want one bland moment. He made you feel you were involved in a wonderful event that was happening before your eyes."
Janet Leigh



Todo o cinema de Orson Wells mais
a banda sonora de Henry Mancini,
a fotografia de Russell Metty e ainda:
Orson Welles, Charlton Heston, Janet Leigh, 
Marlene Dietrich, Akim Tamiroff, Dennis Weaver,
Zsa Zsa Gabor


Sexta, 14 às 21:30h no Espaço do Tempo 
o Cinecoiso apresenta: 


Touch of Evil de Orson Wells
(versão restaurada)

Até já

5.10.11

Polanski shot it in English on location in a grim British castle where Sir Walter Scott allegedly wrote "Rob Roy." He has populated the castle with strange people: Donald Pleasence, who shaves his head; Francoise Dorleac, his sensuous young French wife, and Lionel Stander, as a criminal who terrorizes them for two days.
Roger Ebert / December 28, 1967 

7/10

2.10.11

Next stop


For the third time, an impatient waiter cruised up to their table. 
“This place is good for meat”, Hector said. “What is your favorite dish?”
Switters stared wistfully into space. “Spring lamb Roman Polanski”, he said.
“It is not on the menu, I am afraid”.
“Just as well. It’s an acquired taste”. 

Tom Robbins, Fierce Invalids Home From Hot Climates

Next stop

7/10 

 “grimmest of comedies, most hilarious of tragedies”
Ivan Butler

Next stop


7/10